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 Kabul Press, World Media Home

Soul of the Nation

 Bashir Sakhawarz

Creating parliament during Zahir Shah in Afghanistan brought some degree of freedom for the people. After many years of silence Kabul spoke through the voice of virgin writers who took the smallest of opportunities to express themselves.  Suddenly, the market was full of independent newspapers and magazines. Surprisingly many writers appeared to have varied knowledge of philosophy, modern and classic literature and, wrote non-exhaustively in the independent publications for people thirsty to read.  People were buying thirst-quenching knowledge and, the writers were writing with passion about matters of interest, old and new.   This era was the first and last, for the freedom of writings in Afghanistan. 

It was Stalin who said that writers are the soul of the nation.  Unfortunately, in Afghanistan, the soul of the nation was frequently bought by the men in power.  Writers served Kings instead of serving their nation. Even Ferduasi, the great poet who revived the Persian language, wrote his epic under the instruction of Sultan Mahmood Ghaznawi.   We have but a handful of writers who truly served the nation, such as, Sanai, Sadi, Maulana Julaludin Balkhi, Baidal amongst others.  However, we must not forget that almost all the great poets and writers were forced by their rulers to write for the courts, for the powerful and in praise of their might.  The people who ignored this simply did not exist during their lifetime.

In modern history, however, our writers somehow managed to untangle from this web of power towards the cause of freedom and the strive for independence.   That because these decent, honest, humble writers managed a basic salary through their teachings at school or practice of professions such as an ordinary medicine-man or engineer.   They could not resist their call of duty to awaken their people to embrace progress and modern developments. 

I disagree with Stalin, for saying, that writers are the soul of the nation, but I agree that only good writings can influence the soul of their nation.  We must not ignore that writers too can easily be influenced to serve regimes for economic gain - for fame, for status, for popularity, with or without fortune, or simply to stay alive.   This is a recurring cycle in Afghanistan too throughout the course of its history.  I can name more than a hundred famous and many not-so-famous writers who served the powerful for their own vested interests.  Certainly these writers cannot be called the soul of their nation because of the scale of the brutality and aggression of the people in power whom the writers chose to serve.  However, those writers who consciously decided not to serve the courts, not to serve the kings and not to serve the powerful have paid a heavy price for their resistance and for their lack of cooperation.   Sanai of Ghazna was asked by Bahram the King many a times, to write in admiration of Amir and when he declined, his life became a living misery. Amir Khosraw of Delhi did the same and almost paid with his life.   Fortunately he survived but many writers in our modern history have not had this luck.   Ghulam Mohamad Ghobar committed the biggest crime against the tradition of court historians by simply writing the true Afghan history, and argued well on the economical and social aspects of the times.   The Afghan courts could not digest this wilful disobedience and it was not enough punishment that his book was not published during the Zahir Shah regime, for the court did not stop at that alone as Ghobar was imprisoned for a protracted period in order to force and induce him to forget and forgo any ambition of writing truthfully about the history of Afghanistan, ever again.

The uphill struggle to attain freedom of thought and freedom of press and publications has been coloured red with blood of so many innocent writers, even in this modern era and age that we live in today.  A brief window of freedom for writers during Zahir Shah brought so many enthusiasts to publish their works in the Afghan independent press but alas, this freedom was only short lived.   This freedom period ended very abruptly, in fact that became the instrument to separate the committed writers from the others.  Naturally aiming to identify those who wrote passionately, voicing the problems of their monarch against the masses and openly writing of how the rulers prevented the progression of the nation.   Suddenly these writers who never compromised their values and stayed away from the influence of the courts, were identified as writers with values and, after the demise of the so-called freedom of press none escaped imprisonment, serving long terms of torture and solitude.   The most famous of these writers in Zahir Shah’s period were Ghobar, Safa, Ismail Bulkhi and Dr Mahmoodi.

Despite all these many crimes against humanity and freedom, it was nothing in comparison to those imposed by the communists and the Taliban.   It is ironic that both the communist regime and the fundamentalist regime of the Taliban were two side of the same coin as far as their ultimate policy existed - for blocking freedom of speech and press.

Without this ordinary freedom it is difficult to visualise a nation maturing or progressing.  And in order to substantiate this argument I refer to Mamood Tarzai, the father of our modern journalism, as my witness.   This idealistic, well-connected journalist knew the importance of free expression and the value of true literature and it was for this reason alone that, despite all the important roles he could have played being related by marriage into the King’s family, yet he preferred to choose to simply become the editor of the Serajul Akhbar.  It is in association with this role with the paper that he was reincarnated as much more than a writer, for he became the symbolic teacher of the nation, explaining the ideology of reporting, and interpreting that ‘akhbar’ in Persian and Arabic derives from the plural of ‘khabar’ and khabar means news.  Teaching basic values when addressing the masses of the nation in order to better educate them to see the value of writings.   Indeed, he was the father-in-law of Amanulalah Khan and also, his best advisor, yet he counselled the young king to give more and more freedom to his people.   I would not be wrong to claim that Tarzi’s time was the only true period of fearless expression and, it was in his tenure as the editor of the Serajul Akhbar that Hazara, Uzbeck and Pashtoon all wrote to the newspaper and their works were published without discrimination.

The decision to choose this newspaper editor’s role, preferring this position above all others more powerful options was well received by his followers.  He understood the inner soul’s need to share knowledge and information, to educate the masses and serve the nation.   This is the reason the British feared the minority writers and the men of that time.   Although Afghanistan had few poets, writers and literate population, yet their role in influencing the nation to fight for freedom, for country, is absolutely incredible.   This influential role of writers inherent in the local culture and freedom lovers was fully understood by the reactionary regimes suceeding Amanullah.   Writers such as Dawi and Ludeen instead of being praised as heroes were targeted by their governments.  The new State paper replaced the freedom fighting paper of Sarajulakhbar.   It was rightly called ‘Islah’ meaning correction.   The new regime wanted to correct its persistent writers and historians through torture - to make them forget their fight and flight for democracy and development.   The new regime realised that the only way to survive was to stop the freedom of press.  A good writer was thus a dead writer as it had been for Stalin.   Despite his love for literature Stalin had feared all writers apart from Gorky and rumour say that the day Gorky died was a day of relief for Stalin.   Dictators do not like other opinions to float.   They consider themselves to be the centre of power and the voice of the nation.   So for Stalin to have said that writers are the soul of the nation he implied by that of course, those loyal writers who quoted him.   My own fellow countrymen will remember that the same happened in Afghanistan at the time of Brezhenov after he invaded.  Haqiqate Inqelabe Sawr was nothing but broadcast of its eight pages of Brezhenov propaganda delivered to the Politbureau.

After the Russians installed their puppet government in Afghanistan our libraries were filled with books, giving the deliberate impression that the new government was very much in favour of educating the people.  However, no denying that whatever publications appeared in the libraries were Russians or Russians supported communist writers.   What happened simultaneously is the appearance of an extraordinary number of Russian approved books in the markets and libraries and, in parallel, the banning of all other books that did not fit communism.   The puppet government created organisations such as the Writers Associations, which on the surface looked like encouraging writers but in fact the aim was to institutionalise writers and induce them to write in favour of the Soviet Union and the new government.   Anything not in line with the policy of the regime was banned or censored.   The passionate writers who decide to reveal the truth of the Russians, as they saw it, paid a heavy price.   It was during this era that ‘shab nameh’ (night news) became popular and writers distributed their writing in the darkness of the night.  However, ‘khad’ the secret agent of the government managed to crack down on these activities and writers such as Haider Lahib and Dawud Sarmad were put behind bars only to be subsequently murdered by the regime.  There were a large number of writers who were kept imprisoned for long periods and systematically tortured until they succumbed to promise not to write against the governments.  At the same time those writers who cooperated with the regime were praised and rewarded by the government.  The non-compromising writers under fear of prosecution left their homeland to lead miserable lives abroad as refugees.

Although in theory, the Islamic Fundamentalism is different from the communist dictatorship, but in reality the two ideologies similarly restricted freedom of thought and press.  The Islamic Fundamentalism continued to destroy all the remaining information institutions which were not in line with the fundamentalist doctrine starting with the public burning of books that the puppet government left behind and continued, to burn the buildings themselves, housing, archives, libraries, TV and radio documents and even destroying the historical monuments.   By destroying all the information institutions and historical evidences in museums, to be captured in the world famous publicity stunt with the destruction of the giant archaeological Buddhas, the Islamic Fundamentalism was determine to create a nation without history or background, to create a new fundamentalist nation.   A nation without identity that had the potential to serve one master such as the Osama Bin-Laden the likes of who should have been anticipated one way or another.   And with blind fundamentalist followership of soldiers the imbalanced happening of 9th of September, terrorists fighting in the name of their leader for creating a unified world under Osama.   No different to the desires of the Russian communists of Brezhenove and his predecessors.   Two ideologies - two sides of the same coin.

In its modern history Afghanistan enjoyed the freedom of press until just before the downfall of King Zahir Shah.   However, it gave birth of opportunities to the Soviet Union and other nations who were interested in the Afghanistan base for their own selfish politics and ideologies.  The two periodical papers in Kabul such as Parcham and Khalq reflected only the Soviet Union vision of the world.   But we should not focus only on the negative impact of the freedom of press.   There is no doubt that with freedom comes possibility of expressions of different views.   But a mature nation with educated population would be able to rise above naïve influence and distinguish between the good and the evil.   This matter is very much evident in the way that the Europeans react today towards the war against Iraq.   No matter how hard the heads of states such as the Spanish Prime Minister and the Italian Prime Minister with all their influential media tried to promote that the war of America against Iraq as war of good against evil, but the common people were not convinced.    In France and Germany the people are even more well informed to the extent that it is alleged that the German Chancellor was voted for another term based on his policy against war and Jacques Chirac has become a hero of the French people for standing up for the same reason.   The maturity of a nation cannot be judged by the number of hidden books in secret cellars or even the burning of their very existence but rather in their distribution.   At the same time, a nation can only reach its peak expression if they produce writers and philosophers who fight for the cause of the nation’s soul and its peoples’ belief.   The humanitarian values of these philosophers and writers become the values of the ordinary people in the nation and it would be these messengers by pen and these prophets who guide the rays of their sun into the hearts of their people.

The twenty three years of war revealed one more deep routed problem in Afghanistan and that is the lack of literacy.  Education shortcoming, the lack of libraries, the missing archives and non evidence of living poets and writers.    A nation without writers and philosophers is indeed a dead nation.

Whether physical books or electronic internet books or media of TV and radio, the Afghans need to identify themselves.  Afghanistan has historically produced a huge number of thinkers.   The example of resistance of might, as expressed by the leadership of its poets and writers, is the historic Afghanistan freedom movement from the rule of the mighty British Empire.   And yet although Afghanistan was the first country to gain independence in 1919, on the very strength of its humble poets and writers, today - one hundred years hence there is no evidence of this very proud freedom of expression heritage.

The roadmap and atmosphere for free unbiased expression and literacy is a challenge without which no nation can conquer its ‘best destiny’.

Bashir Sakhawarz

March 2003

Reference:

Ghobar, Ghulam Muhammad, Afghanistan Dar Maseere Tarikh

Habibi, Abdul Hai, Mashrootiat in Afghanistan

Bashir, Sakhawarz, Role Sharan wa Naweesindegan in Afghan Independence

 

 

RAHA/26/Apr/2003

 

 

 

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