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A quick glance on Novel The Kite
Runner
Author
of the novel: Khaled Hosseini
Crow
knows the language of the crow
Afghan
proverb
The Kite Runner
Narrated:
Birth of Amirs father is
concurrent to the year of King Zahers accession to the throne.
(King Nader is father of King Zaher, he assassinated due to
political motives by a freedom fighter, Abdul Khaliq, a Hazara
student, during a football players visit in the Estiqlal High
school playground. Amirs grandfather is a judge at this time. This
judge has a close relationship with King Nader. They took a picture
during dear hunting together a couple of years ago of assassination.
By narrator) The judge (he is from Pashtoon ethnic group, Sayed and
Sunni, the largest religious group in Afghanistan) has completed the
case of a traffic accident resulting in
the death of a Hazara couple, hit by a drunk driver in Paghman Way.
But Ali, a five-year old son, survived from this accident. The judge
took Ali home and raised him in his house, as a servant. Ali is a
Hazara (ethnic group from central highlands of Afghanistan)
and Shi-a (second largest sect of Islam after Sunni in Afghanistan).
Amirs father, Agha Saheb,
is a merchant. He is married with Sophia Akrami, a literature
professor. Amirs mother is dying during
Amirs birth in 1963. Ali has married with his cousin, Sanaubar who
is also Hazara and Shi-a and escapes after five days of giving birth
to Hassan and joined a traveling dancers and singers clan. Hassan
was born harelipped. Amirs father sponsored Hassans medical
operation several years later and Hassan was cured and could talk
perfectly.
Amir
attended school in a proper time and got complete support, education
and accommodations. Hassan and Ali were busy serving Amirs family.
Hassan could not get the opportunity to go to school, like his
father (Ali) who has been raised by Amirs grandfather since his
childhood, and did not get an education. Ali and Hassan had one sort
of relationship with their masters, but Amir and his father had a
different one to their servants.
During the
changing and challenging childhood of Amir and Hassan, Hassan
performed sacrifices and showed his friendship faithfulness towards
Amir. Even Hassan has been sexually offended by Amirs rival Asif.
Amir didnt do anything and did not defend Hassan. Because of this
behavior, Amir is feeling ashamed. On the top of this, he is trying
to make a conspiracy to expel Ali and Hassan from their house by
hiding his (Amir) money and his watch under Hassans cushion which
he received during his birthday party. Amir complains to his father
about losing the money and his watch. Hassan did not defend himself
from this charge. Ali and Hassan are compelled to shift to Hazarajat,
Bamian.
Agha Saheb
and Amir Agha due to social chaos and surrounding turmoil and after
changing of several servants, they were also compelled to leave the
country to Pakistan and after that into California, the USA. Amir
and his father are accepting very harsh jobs during their early
years of settlement. Amirs father has died of cancer and Amir is
marrying with an Afghan military generals daughter. After several
years they could not have a child.
Rahim Khan,
friend and business partner of Amirs father is calling from
Pakistan to come there. He is sick. Amir is traveling there and
after a warm welcome and reception, he is cracking the secret that
Hassan is his brother. But Hassan has been killed by Taliban in his
house in Kabul. Hassans son, Sohrab, is kept by Amirs rival, Asif
in Kabul.
Amir is
going to Kabul and finds Sohrab. Sohrab is kept as an entertainment
monkey for dancing in Asif custody in a cage. For rescuing Sohrab,
he is fighting with Asif, his enemy, now he is a figure in Taliban
government, inside his office in Kabul. During the fight, Amir is
getting serious injuries and several ribs have been broken. Sohrab
is attacking by his slingshot on Asif and blinds one of his eyes.
Finally Amir and Sohrab are making their way to escape from Taliban
office outside and then going to Peshawar, Pakistan. In Peshawar,
Taliban still are trying to find them in a hospital. Amir and Sohrab
are traveling to Islamabad, the capital of Pakistan. During getting
treatment and medication, Amir is getting
the US Visa for Sohrab. Amirs friends and his wife helped him.
Finally they are getting to California. Sohrab can not get along
with other children easily and Amir and his wife are trying to
adjust him in this new environment.
The End
After reading of this
novel, some main and general questions may arise, which are:
The writer of the
novel is considering Alis religious
beliefs, Shi-a, as Alis natural characteristics. Ali
remained from his parents while he is just five years old.
He was raised in a Sunni and
Pashtoon family. How he could be a Shi-a by his religion?
The judge is working
in the (past) government and he is a close friend of the
assassinated king.
Shouldnt this judgment be
affected by this relationship? Why or why not?
By which authority
and constitution, the judge is keeping Ali in his custody as a
servant/slave?
Why has
Ali not been handed over to his
next of kin?
Alis uncle, where
did he come from that he then arranged marriage of his daughter with
Ali?
If Ali is castrated,
why is he marrying?
Whether the writer
with such a family, ethnic and religion relationships, did not write
or achieved in such a course of enmity and social suppress and
injustice in favor of the tyrant kings in Afghanistan?
Actually this novel
has some roots in real life of Afghan multi-cultural society.
Can the writer get
an approval or admiration from a real novel writer?
Can the writer
translate his book in Afghanistan and get the same recommendations
and admirations? Never think so.
Further more there could
be tens of questions about this novel. Now, with excuse, coy and
begging your pardon, here are some excerpts from the text of the
novel for the judgment of impartial readers to evaluate writers
honesty, psychology, stances, chastity and style of ethic measures
according to Afghan society and diasporas around the world.
Page 6 and 7;
It was in that small shack that
Hassans mother, Sanaubar, gave birth to him one cold winter day in
1964.
While his
mother hemorrhaged to death during childbirth, Hassan lost his less
than a week after he was born. Lost her to a fate most Afghans
considered far worse than death. She ran off with a clan of
traveling singers and dancer.
One day, we were walking from my father's house to Cinema Zainab for
a new Iranian movie, taking the shortcut through the military
barracks near Istiqlal Middle School-Baba had
forbidden us to take that shortcut, but he was in Pakistan with
Rahim Khan at the time. We hopped the fence that surrounded the
barracks, skipped over a little creek, and broke into the open dirt
field where old, abandoned tanks collected dust. A
group of soldiers huddled in the shade of one of those tanks,
smoking cigarettes and playing cards. One of them saw us, elbowed
the guy next to him, and called Hassan.
"Hey, you!" he said. "I know you."
We had never seen him before. He was a squatty man with a shaved
head and black stubble on his face. The way he grinned at us,
leered, scared me. "Just keep walking," I muttered to Hassan.
You! The Hazara! Look at me when I'm talking to you!"
the soldier barked He handed his cigarette to the guy next to him,
made a circle with the thumb and index finger of one hand.
Poked the middle finger of his other hand through the circle.
Poked it in and out. In and out. "I knew your mother,
did you know that? I knew her real good. I took her from behind by
that creek over there.
The soldiers laughed. One of them made a squealing sound. I told
Hassan to keep walking, keep walking.
"What a tight little sugary cunt she had!"
(This is not a good style
of writing in Afghanistan, especially those books which are
published for all genders and ages. Can the writer live prosperously
amongst the multi-ethnic society of Kabul with this kind of writing?
This style of writing never been used publicly in Afghanistan.
narrator)
the soldier was saying, shaking hands with the others, grinning.
Later, in the dark, after the movie had started, I heard Hassan next
to me, croaking. Tears were sliding down his cheeks. I reached
across my seat, slung my arm around him, pulled him close. He rested
his head on my shoulder. "He took you for someone else,"
I whispered. "He took you for someone else."
(If somebody tells Amir
that you are right, completely right, the soldier had taken Hassan
for someone else. Because, according to the writers depiction, a
Hazara woman with flat nose, narrow eyes, round face like Chinese
doll, with no make-ups and good dressing, can not attract or invoke
sexual desire of a man. The soldier ought to tell Amir, not Hassan!
Can you feel comfort? Actually what is the urgency or importance of
depicting a stage like this in a novel generally published for
entire public including children, youth girls and boys, women and
men, adults and elders? The writer doesnt know that touching on
these sensitive, tumult, and seditious points are not in benefit of
any body on the bases of differences of ethnic, religion,
linguistics, regional at this time. Fanning these kinds of
differences only are pouring water to the mill of the enemies of
Afghanistan integrity, progress, development, and peaceful
co-existence of all ethnics and tribes residing in motherland.
Afghanistan, in the last quarter of century, has paid great price of
almost two millions sacrifices and millions of disabled and refugees
around the world from all ethnic groups including Pashtoons, Tajiks,
Hazaras, Uzbeks, Turkmans, Pasha-ees, Hindos and etc., and
destruction of all infrastructures. They all firmly and bravely
stood and resisted against the super power invader, internal and
external regional enemies of integrity, peace, progress, justice and
independence. There are instances of disintegrations of countries
into parts during this period around the world. Afghanistan issue is
one the most complex and sophisticated global economic-political
paradox of the modern time. In spite of all these complexity, she
remained intact due to the rich and historic culture of that
territory. Whether depicting such a fascistic, seditious, schism,
contemptible, enthusiastic irritations of a nation are not unfair
and oppressive?!
All Afghans know this
that military service for ordinary citizens were
two years. When Amir and Hassan wanted to go to see a movie
alone, how old should they be at
that time? At least ten years, right? How that soldier served at
least eleven years in that particular military unit and knew Hassan
which he is the son of that woman (Sanaubar) that he sexually
offended, next to that creek?
According to the novel, Sanaubar
has fled home after five days of Hassans birth and joined
the traveling singers and dancers clan. Whether, medically,
is she able to those kinds of activities? Bringing these kinds of
events is the writers particular Realism or Romantism?? The writer
is claiming that his novel is not the kind of novels that one can
see in Indian films. Justly, the writer is right; this is not like
Indian films that could be evaluated according to the values and
measures of a school of literature. All Indian movies are not
defendable though.
Those who studied in a
school in Kabul know that there was no Istiqlal middle school in
Kabul or in whole Afghanistan. There was Istiqlal high school near
Arg (Presidential palace) in Kabul. If writer means Istiqlal high
school and not Istiqlal middle school, this high school shifted in a
military barrack in Shirpoor during building construction of the
school. But the military barrack has been relocated to other place
around Kabul. Military personnel know that there were no tanks and
barrack at that time at all. Whether this is also the writers
special Realism/Romantism?
In page 9;
"Hey, Babalu, who did you eat today?"
they barked to a chorus of laughter. "Who did you eat, you
flat-nosed Babalu?" They called him "flat-nosed" because of Ali and
Hassan's characteristic Hazara Mongoloid features. For years, that
was all I knew about the Hazaras, that they were Mogul descendants,
and that they looked a little like Chinese people. School textbooks
barely mentioned them and referred to their ancestry only in
passing. Then one day, I was in Baba's study, looking through his
stuff, when I found one of my mother's old history books. It was
written by an Iranian named Khorami. I blew the dust off it, sneaked
it into bed with me that night, and was stunned to find an entire
chapter on Hazara history. An entire chapter dedicated to Hassan's
people! In it, I read that my people, the Pashtoons, had persecuted
and oppressed the Hazaras. It said the Hazaras had tried to rise
against the Pashtoons in the nineteenth century, but the Pashtoons
had "quelled them with unspeakable violence." The book said that my
people had killed the Hazaras, driven them from their lands, burned
their homes, and sold their women. The book said part of the reason
Pashtoons had oppressed the Hazaras was that Pashtoons were Sunni
Muslims, while Hazaras were Shi'a. The book said a lot of things I
didn't know, things my teachers hadn't mentioned. Things Baba hadn't
mentioned either. It also said some things I did know, like
that people called Hazaras mice-eating, flat-nosed, load-carrying
donkeys. I had heard some of the kids in the neighborhood yell
those names to Hassan.
Excellency the writer,
how knowledgeable are you about Afghanistan Hazaras now? What kind
of academic researches did you performed and how did you articulated
this dark spot of the human tragedy in the history of Afghanistan?
Can you refer us to your articulated articles? You just repeated
those atrocities once again to make permanent to the memories of
those which dont know about these injustices and oppressions and
history of Afghanistan.
Page 9 and 10;
The following week, after class, I
showed the book to my teacher and pointed to the chapter on the
Hazaras. He skimmed through a couple of pages, snickered, handed the
book back. "That's the one thing Shi'a people do well," he said,
picking up his papers, "passing themselves as martyrs." He wrinkled
his nose when he said the word Shi'a, like it was some kind of
disease.
And later we read;
the moment Sanaubar had given birth to
Hassan. It had been a simple enough affair. No obstetricians, no
anesthesiologists, no fancy monitoring devices. Just Sanaubar lying
on a stained, naked mattress with Ali and a midwife helping her.
She hadn't needed much help at all, because, even in birth, Hassan
was true to his nature: He was incapable of hurting anyone. A few
grunts, a couple of pushes, and out came Hassan. Out he came
smiling. As confided to a neighbor's servant by the garrulous
midwife, who had then in turn told anyone who would listen, Sanaubar
had taken one glance at the baby in Ali's arms, seen the cleft lip,
and barked a bitter laughter. "There," she had said. "Now you have
your own idiot child to do all your smiling for you!" She had
refused to even hold Hassan, and just five days later, she was gone.
Dont know whether the
writer himself was witnessed those events in his one year age or
some body reported to him? Maybe this is a new kind of Romantism?
The translation of very famous song in Afghanistan is just
incorrect.
On a high mountain
I stood,
And crie'd the name of Ali, Lion of God.
O Ali, Lion of God, King of Men,
Bring joy to our sorrowful hearts.
Page 13;
It took three years to build the
orphanage. I was eight by then. I remember the day before the
orphanage opened, Baba took me to Ghargha Lake, a few miles north of
Kabul.
The writer is not
familiar to Kabul map and geography, Qargha Lake, not Ghargha Lake,
is located in the west part of Kabul not north of Kabul. Maybe there
is Ghargha Lake undiscovered in Kabul so far. Great discovery! I
suggest that lake to be named after the inventor of the lake, Khalid
Lake!
Page 63;
The biggest prize of all was still
flying. I sliced a bright yellow kite with a coiled white tail.
Kite runners know that
the kind of kites which are fighters in Kabul, dont have coiled
tails! Do you know in what season and which direction the wind blow
in Kabul?
Page 67;
Finally, I had my kite in hand. I
wrapped the loose string that had collected at my feet around the
spool, shook a few more hands, and trotted home. When I reached the
wrought-iron gates, Ali was waiting on the other side. He stuck his
hand through the bars. "Congratulations," he said.
1 gave him my kite and spool, shook his hand. "Tashakor, Ali
jan."
"I was praying for you the whole time."
"Then keep praying. We're not done yet."
I hurried back to the street. I didn't ask Ali about Baba. 1 didn't
want to see him yet. In my head, I had it all planned: I'd make a
grand entrance, a hero, prized trophy in my bloodied hands.
Heads would turn and eyes would lock. Rostam and Sohrab sizing,
each other up. A dramatic moment of silence. Then the old warrior
would walk to the young one, embrace him, acknowledge his
Worthiness. Vindication. Salvation. Redemption. And then? Well...
happily ever after, of course. What else?
What a wrong and
un-appropriated analogy and misusing of rich mythology? Greatness,
Firmness, Confidentiality, Clearness, Faithfulness, Honesty,
Respectfulness, Sacrifice, Bravery, Magnanimity, Humanity and
depicted from Rostam and Sohrab in Shah-Nama dont have least
rational and relation with Amir and his father. Adopting those
characteristics and attaching to them is just unfair and irrelevant.
Where were Rostam and Sohrab and where are Amir and his father?
Page 68
Four streets south of ours, I saw Omar,
the son of an engineer who was a friend of Baba's. He was dribbling
a soccer ball with his brother on the front lawn of their house.
Omar was a pretty good guy. We'd been classmates in fourth grade,
and one time he'd given me a fountain pen, the kind you had to load
with a cartridge. "I heard you won, Amir," he said.
"Congratulations."
"Thanks. Have you seen Hassan?"
"Your Hazara?"
I nodded.
Omar headed the ball to his brother. "I hear he's a great kite
runner." His brother headed the ball back to him. Omar caught it,
tossed it up and down. "Although I've always wondered
how he manages. I mean, with those tight little
eyes, how does he see anything?"
His brother laughed, a short burst, and asked for
the baIl.
Omar ignored him.
"Have you seen him?"
Omar flicked a thumb over his shoulder, pointing
southwest.
"I saw him running toward the bazaar awhile ago."
"Thanks." I scuttled away.
By the time I reached the marketplace, the sun had almost sunk
behind the hills and-dusk had painted the sky pink and purple. A
few blocks away, from the Haji Yaghoub Mosque, the mullah bellowed
azan, calling for the faithful to unroll their rugs and bow
their heads west in prayer. Hassan never missed any of the
five
daily prayers. Even when we were out
playing, he'd excuse himself, draw water from the well in the yard,
wash up, and disappear into the hut. He'd come out a few minutes
later, smiling, find me sitting against the wall or perched on a
tree. He was going to miss prayer tonight, though, because of me.
The bazaar was emptying quickly, the merchants finishing up their
haggling for the day. I trotted in the mud between rows of closely
packed cubicles where you could buy a freshly slaughtered pheasant
in one stand and a calculator from the adjacent one. I picked my way
through the dwindling crowd, the lame beggars dressed in layers of
tattered rags, the vendors with rugs on their shoulders, the cloth
merchants and butchers closing shop for the day. I found no sign of
Hassan.
I stopped by a dried fruit stand, described Hassan to an old
merchant loading his mule with crates of pine seeds and
raisins. He wore a powder blue turban.
He paused to look at me for a long time before
answering.
"I might have seen him."
"Which way did he go?"
He eyed me up and down. "What is a boy like you doing here at this
time of the day looking for a Hazara?"
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