“Ketabe-E-Meher” by :Kamran Mir Hazar

Written by: Mozhgan Amiri

Translated from Persian to English: Soroush Gholami

RAHA/23/September/2003

Page6 of 8          1    2    3    4    5    6    7    8                     Next    

We review another poem from the book “Mehr” to find the applied use of the elements of the nature in a natural shape and to reach the words that the poem has emptied them from the tense in a collection of images and has activated them with a special tense and language in presenting images again.

This doubtful vacuum-making occurs in the word “it might be”

The tense is taken from a sentence and we read a sentence which has the natural characteristic from the known signs in this special tense. but in fact we may probably don’t have the ”afternoon” because it was accompanied with doubt from the beginning.

The vacuum of image occurs after the vacuum of the time, it must be” corn” and it is not and body knows the corn, because they have been only talking about it without seeing it.                           

”must” certifies  the definitiveness of hesitation and we have the images in our point of view that take shape with their non-existence and in our mind –not in the poem –,here, the first hit takes shape for the presence of the tense in an intensive form, nature is the mountains and we know that mountains have a cold whether with the help of the word “nature” .the poet says this point again ,we have a specified tense in a specified  place but not related to the  two line before, but is related to this very line, with thin untold connection by the poet that was placed like cracking the codes  of these images, and that’s the wild almond. We can use the modifier “wild” for them because we are in the atmosphere of the “mountains”. 

   Two emphasis in the order “take a look” and the direction of the sight in the next line”take a look at the right side of this picture” make us select our point of view in the work. We are spectators and obviously don’t have the permission to enter the private space of the poem. The poem becomes smaller to be able to take a seat in our hand so that we are able to touch it and what happens inside the text is the collection of images that have submitted to a movement in the reader’s hand and we must make it in the vacuum made up of the natural elements to be able to see the last line . . .a man standing with a Kalashnikov  and probably is still waiting in an unknown tense and a place that we prefer  to be in the poem “the shade of the wild almond’s”.  

The poet asks us the result of this game of the images and the language with the sings of the vacuum-which causes making volume- of the selected words and this, is the question that can have many answers.

“The sheeps which are sleeping in hi veins

And with a big drum that sets his behavior

It is the extract of the time

In the man’s privacy whom the moon is removed from his eyes

, who has lost his flute….”

What does the poet want to imply with the word ”sheep”?

complete obedience or ignorance that exists in a special way in the behavior of this animal or maybe immaculate and we freely select our image from ”sheep” in any other thing and place it in a very limited bed and absolutely narrow place like a vein and then we find it in the image as the very known natural picture with any kind of modifier.

We must find this modifier active in all parts of the blood –pressure of the poem. This hidden warning makes the reader select the sheep again and this happening only occurs when the poet can delicately make the reader pause at the first line and choose the images from other words with more attention.

Drum and behavior also require this very precise behavior from the reader although the condition of the poem for affecting on the reader is to some extent clear, Because it is set with any word, takes the poet to the neat arrange of the sentences, somewhere like a garrison and their everlasting order.

We- in this perceived image and action -should change the place of presence of the poem and connect an endlessness  of place and time as soon as we find our place .this image -without getting lost in our mind-immediately is defined with a part of this place of the word ”privacy” and in the image of the absent person which is accompanied with the non-existence of the moon and a man who has lost his music – in a painted flute -in his special sight space .

In fact we should draw with the vacuum of the image to reach this place with our image.

We can bring other samples like this again, but it will make the discussion longer. I leave this discussion away and turn to new subjects.