The Identity Out Of All Fantasies

An Analytic Discussion on

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The territory of any kind of work must be found inside, where a word can take part in a continuous process and –separated from creating any special quality and Quantity- begins to construct different definitions. In fact, we –according to the space and the other presence of a written text- enter the domain of the definitions that are not based on literal theories, but it is created inside the text.

This matter is not a trick or a learning method, but a writer must be able to define Himself and his senses to affect on the metaphysical and fluid conception, action and reaction of the work.

In fact a writer and words and creation –all together and not separated from each other – are joint and we deal with an independent animal that has its own certificate and identity and owns something called “birth date” and maybe its better to use the phrase “the date of being”, where a text records itself from the moment of formation and-based on its ability- records the” date of staying” for itself. We have to use “shoulds” and “shouldn’t” in reviewing works. It doesn’t imply absolutism and ruling, but we have to find a way to connect the work to the Outer world and the reader, where a work can record the wideness of being for its own and conduct the addressee through a complicated sight space to its outer shape.

Penetrating into the wideness of a work is the game of the language penetration which is designed by a poet or a writer, and a perfect conception and success in this game refers to the writer’s ability In a good performance of the scene and also refers to the reader’s profound findings in an active presence in taking part in this different arrange of the same game with the same game known devices.

In fact, the writer creates another game with the same devices -known to us- so that we give a chance to his curiosity in the first step and to give the possibility of leaping of the language and mind to ourselves, And one of the reasons of this matter is the very possibility of being involved in a work in this game against the claims of most of writers and modern poets according to the point that it is possible to consider everything as a story or a poem as result of not being any definition for them and there is not anything to measure it. Where the reader challenges the work, where the text and the reader must play their role perfectly and the “derived from consciousness” makes the poet’s text take the game serious with its “unconsciousness”, a game that can take part in several games if it turns out to be a text with a high level of specified qualifications. In this field and for a discussion on what we call it “comment on” we have to take a look at the book “Mehr” and open the language references and the occasionally complicated text to reach a text with several-layered capabilities. In the book “Mehr” although the discussion is begun on creating spaces of the poet’s special images, naturally it doesn’t include all the poems, because we face simple poems in the book ”Mehr” that are keeping on creating poems in a complicated and continuous constructing. In fact some poems have adopted an easier way and have turned into more complicated constructions and shapes because of their symbolic and metaphysical identity. We begin the discussion with this preface and begin with the easiest or let say it is more suitable to say that we begin with the most elementary discussion and let our findings attend gradually And to gain the presence of the text - not based on current defaults in criticizing - and to find and observe the effect inside the work itself. It is sufficient for Kamran Mir Hazar –a poet who speaks in Persian and has the afghan identification -To utilize Farsi so that a Persian reader reads or listens to a work and get connected to it, and a stable work is a work which announces its presence without considering nationality. The world modern poem takes a look at a horizon even more extended than the outer world and clings to the narrow territory of geography for its territory of existence.

A good work sets its pulsation with the cosmos’s pulse, not with geographic rules, although the first bed that it originates from is effective in a special way. If I pointed the poet’s nationality , it was just because Afghanistan contemporary literature (and it also includes Iran’s literature) needs to metamorphose and I consider the book “Mehr” completely separated, independent ,special and with a method absolutely professional among the well-know people  of Afghanistan literature, that it’s rarely seen in other afghani poems and sometimes it can’t be seen .a contemporary afghani poet (and most of Iranian poets)still hangs himself to the domain of classic poems or continues the several time-handed style of the poets of the last decade of Iran in the territory of the contemporary poem that if it turns out to be  a fantastic poem ,it is not a new or special job.

The work of the contemporary literature is not repeating, but   is creating inside the world of words.

Lets follow the book”Mehr” and enter the discussion with constructing words and sentences:

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